Taking advantage of cartoonish gore, outlandish deaths, and a rag-tag cast of household names, The Monkey is sure to have audiences clapping

Anthony Mackie and Harrison Ford shine but the latest Captain America outing is neither brave nor new nor world-shattering.

A gripping, fast-paced, thriller of a historic retelling that not online shines a light on horrors of the past.

Presence serves as a perfect example of how much you can achieve with a good story and a genius director.

Wolf Man had an interesting premise and a mouth-watering leading duo but ultimately failed to expand or enhance the werewolf genre.

On the surface, A Real Pain may seem like a comedy, but it’s more about the raw and real relationship between two people.

Robbie Williams has once again proved that he is the ultimate entertainer – but he is an entertainer with a story.

Mufasa: The Lion King features roaring character development and an origin story worthy of one of the most beloved worlds in cinema history.

Rumours thrives at times due to the sheer absurdity of the story, but ultimately leaves us with laughs left untapped in our belly.

A mystery thriller with a salacious bow tied on top, Conclave is not afraid to make a real statement or two along the way.

Hugh Grant swaps charm for chills this Halloween in Heretic – and it begs the question, why has he not done more horror?!

Whatever your opinion on The Substance itself, Moore and Qualley announce themselves as potential powerhouses of the horror genre.

For those who are unfamiliar with Miller’s work, 'Lee' is a much-needed education packaged as a very watchable big-screen biopic.

Blink Twice has seamlessly slipped into the realm of unmissable 2024 cinema. Blink and you’ll miss it!

Borderlands departs from the source material, creates mind-numbing new lore for the sake of convenience.

Osgood Perkins’ Longlegs is the unsettling horror event of the year.

Addictively immersive and bewitchingly bonkers as it not only lives up to Fury Road but enriches and expands the franchise.

The Fall Guy is the love letter Hollywood stunt workers have long since deserved.

Sting weaves two different webs of horror and humour, but is never quite able to connect them in a meaningful or satisfying way.

Monkey Man may not create a brand-new genre, but it oozes creativity deserving of praise outside the John Wick bubble.