The Unbreakable Boy does exactly what it says on the tin; provides an uplifting, hopeful and emotional story about a remarkable individual.

Little Bites has to be commended for its unique idea, and using the method of a vampire to discuss themes of motherhood and addiction.

Dog Man boasts consistent laughs built of of humorous dialogue and neat visual gags, a heartfelt storyline that feels natural and endearing.

With excellent development of its themes and good lead performances, Thou Shalt Kill is a competent single-location thriller.

I’ve Never Wanted Anyone More puts a fun modern spin on the novel, though the obvious aging of this story sets it back a little.

Fun from start to finish, Companion is a blast that deserves to be seen with an audience.

When sharks are front and centre, Into the Deep does delightfully offer some fun carnage in the way of gore, action, and kills.

Wish You Were Here is the first romance drama of the year, and it starts us out on a sweet spot.

Devilishly dark and by far the most disturbing entry into the franchise thus far, it is certainly not for the faint of heart.

It’s a shame that Werewolves lacks focus in its writing as the premise is promising and the lead performance is great.

The Damned mostly concerns itself with a looming sense of dread, an eerie atmosphere, and existential horror to deliver its scares.

Smile As You Kill is a competent indie film that keeps you invested with deliciously dark comedy.

Discover the best Christmas Horror movies to haunt your holidays! Dive into chilling tales that bring a spooky twist to festive cheer.

With gorgeous visuals, a fun adventure at the centre, plenty of laughs and an ocean full of fun, Moana 2 is bound to impress most.

Despite offering up a few decent twists and a solid lead performance, heavily falls victim to generic scares and subpar dialogue.

Rita takes a while to find its footing and has some lacklustre dialogue, but sheds light on an important topic with confident filmmaking.

Impressively human, commendably grounded and showcasing exactly what Andrea Arnold does best, Bird is nothing short of a triumph.

Cuttingly dark yet awkwardly hilarious, Hippo is a beautifully shot, perfectly acted whirlwind of stark ideas that come together well.

Turn Me On is a fun little watch that fans of Black Mirror-esque dystopian worlds will certainly find enjoyment in.

Despite a talented cast, Bagman fails to entertain due to lack of scares, poorly written characters and meandering story.