The magic of Aardman and Wallace & Gromit is still thriving after all these years in Vengeance Most Fowl.

Wicked is everything I ever dreamed it could be and more, a glorious love letter to the stage show, and a blistering time at the movies.

Saturday Night takes us back to where it all began, in an imagined run up to SNL going on air for the very first time.

With its offbeat handmade feel, darkly slick comedy, and moments of genuine emotional heft, Memoir of a Snail is a triumph.

Queer is a ghost story, it’s about the things that haunt us in the past, present, and future. Daniel Craig is at his career best.

A competent picture of Trump’s rise through the ranks, but it’ll leave you asking one simple question of its existence: Why?

Anora continues Sean Bakers personal canon in an ambitious way, but it's Mikey Madison that gives the star making performance of her career.

Blitz doesn't reinvent the wheel, but is compelling nonetheless. It's a timely message about embracing community and multiculturalism.

A beautiful story told in an imaginative way, The Wild Robot isn't just the best animated film of the year, it may be the best full stop.

My Old Ass is simultaneously hilarious and emotionally resonant. There is life pulsing through its veins.

His Three Daughters authentically presents the real life challenges of going through the most horrible moment in your life.

A comedy version of The Purge movies on paper sounds like a lot of fun, and Jackpot! proves that it is.

Swede Caroline is absolutely set to be the quirky British comedy of the year that deserves to be supported.

Despite some interesting developments and trademark Jack Black fuelled humour, in Kung Fu Panda 4 the magic might have finally fizzled out.

Edge of Summer is rough around the edges, but the emotionally affecting narrative sees it rising from the dark depths.

On the surface The Dead Don't Hurt is a vast, sprawling epic, but if you peer beneath you’ll find intimate beauty.

The success of Bleeding Love comes from its mirroring of real life. Films like this can fall on extreme ends of the spectrum.

La Chimera has its head above the clouds, and the view is beautiful.

Forget Saltburn, Love Lies Bleeding is true ‘cinema for sickos’.

The Burning Season succeeds in its pursuit of telling a love story in reverse. On paper this shouldn’t work but it makes it more intriguing.